jueves, 23 de abril de 2015

World Book and Copyright Day 2015




As the UNESCO – United Nations, Educational, Scientific and Cultural organization – webpage  explains, World Book and Copyright Day is “an opportunity to recognise the power of books to change our lives for the better and to support books and those who produce them”.



I often refer to the close link between films and literature and quite a lot of the posts that I´ve written revolve around this idea. It´s true that I do so because I´m interested in books but the main reason is that many of the films that we watch wouldn´t exist without books as those films are inspired by a written story. Today I don´t wish to write about any of the latest films which are based on books, I suggest that you should watch any film which appeals to you irrespective of its inspiration or source; however, I would recommend marking this day by reading a passage or a few lines from any book which you may like and sharing the content of that book with someone else:  reading for other people or telling the stories that we have read is a different way of reading which can turn into a very rewarding experience.

HAPPY BOOK DAY!!

Would you like to tell us about your plans for today? What´s your favourite way of marking this red-letter day?

miércoles, 8 de abril de 2015

Why not watch a documentary?




If you´re interested in art and if you enjoy going to art galleries, why not watch a documentary? The National Gallery offers us the opportunity to watch a documentary about the experience of visiting one of the most important art galleries in the world. The National Gallery – “the Gallery” as referred to by its employees – provides us with one of those rare occasions on which we can watch a documentary in its original language – English – at our local cinemas. This documentary will appeal to anyone who enjoys art – especially in the form of paintings – and will enable us to catch a glimpse of what it is like to work and to be a visitor in an art gallery such as this one. The film director, Frederick Wiseman, has chosen the well-known British gallery but the film may well have been a depiction of daily life in el Prado, the Louvre or the State Hermitage  to name but a few. This film shows us something which might be obvious but something which is worth underlying: art is part of history and that´s why, we must do our best to take care of it. The curators, the docents, the guides and the scholars who work in the gallery explain to the visitors the story which is behind each painting and by doing so, we learn not only a story but a part of history which enables us to get a better understanding of each painting but also a better understanding of the time the picture was painted. By listening to the guides and docents, who manage to catch the visitors´ attention by means of an entertaining and deep knowledge of each piece of art, we have the feeling of, somehow, becoming part of history, watching each painting thorough the eyes of the old beholder without relinquishing our right to be what we truly are: a new beholder for whom the experience of watching a picture in the 21st century is a completely different experience from what it was centuries ago. 

In my view, the narrative part of the documentary is the most interesting one, that is, the part which has to do with telling a story, the way in which each painting tells us a story and we become witnesses and recipients of that story just by looking closely at the pictures. But if you have any technical knowledge about art, if you are a sculptor or a cabinetmaker, then you may enjoy other parts of the documentary. Other aspects have to do with the various activities that the gallery organises, activities which may go unnoticed for an ordinary visitor but are an important part of its cultural programme: workshops where blind people can have the opportunity to understand a picture thanks to a guiding hand and the expert explanation of the docent, workshops where people feel free to draw … The documentary also pays attention to an aspect which is central to any cultural organisation: promotion and public awareness without losing sight of the real goals of the art gallery. The fact that the National Gallery is visually linked to Trafalgar Square – one of London´s landmarks – makes the gallery turn into the target of many initiatives but the people who run it wonder whether the gallery should become involved in activities which are not really related to art. 
 In other words, if you watch this documentary, you will learn about the discussions that the members of the council have in relation to funds, promotion, publicity and exhibitions. At the time the documentary was filmed, an exhibition on Leonardo da Vinci was on display: long queues of people gathered around the building of the National Gallery to watch an exhibition which didn´t need to be publicised. However, the documentary also shows us the arrangements for another exhibition without focusing so much on the name of the painter, instead, the focus is on the delicacy and the care with which the workers and the curators work to achieve the best perspective for the visitor.

In short, if you really enjoy visiting art galleries, you are bound to enjoy watching The National Gallery. However, there is a negative aspect which I don´t want to hide from you: The National Gallery is extremely long, actually, I think it´s the longest film I´ve ever watched at the cinema. I guess once you´ve decided to make a film which cannot be classified as a commercial one, you don´t care so much about its length and therefore, Wiseman has made the film that he wished to make regardless of other sort of considerations.
As usual, films help us to understand the world we live in and I can´t help thinking about how meaningful this film turns out to be these days as we learn about the destruction of a UNESCO world heritage site in Hatra (Irak). It is not a new fact, of course, there have been other attempts to erase the traces of the past as if by destroying its art we could destroy a civilization, an empire or a part of history. And in a way, we could, that´s why, the role played by museums and art galleries is so valuable.

There is a film which also tells us about the destruction of art in the context of war: Monuments Men (2014) so we could conclude that history tends to repeat itself with different variations but with the same purpose.
                The cast of the film Monuments Men, a film directed by George Clooney.

Monuments Men is based on a true story: a group of men – art scholars, historians, architects and soldiers – working for the “Monuments, Fine Arts, and Archives program” saved pieces of art and other culturally important items before their destruction or theft by the Nazis during the Second World War.

Can you think of a film which is inspired by art or any artistic aspect? Very often, this type of films are based on books – in fact, Monuments Men is also based on a non-fiction book – have you read any book which was later made into a film? Do you like art? What´s your favourite painting or piece of art?